I haven't taken time to post anything since August. That doesn't mean that I've not been working, though; it's just been extremely hectic late summer/fall/winter.
I've been working on a couple different prints this winter, with the goal of combining what I've been doing with my reduction woodcuts with what I've learned about the moku hanga technique. The result(s) are prints that are as visually full of depth as before, but with the added versatility and aesthetic appeal of the traditional Japanese woodcut. At least, that's my own thoughts on the matter...
So here's the latest:
This is a 9 block moku hanga type woodblock print. I carved a new and different block for each color, starting from the lightest grey and ending with the black.
The technique is pretty straight forward - I used a master image to trace each color area onto an exactly sized piece of maple. I then carved each one out by hand with various shaped/sized gouges:
I apply the colors in the traditional manner, using a boar and deer hair brush. The ink I use is made by a company called Akua Kolor. My friends at Wet Paint have been my local source since stocking them last year.
There are a couple darker colors that were printed that I didn't record, but you get the point. These are artists proofs, printed on a relatively cheap paper. My task now is to decide on which, if any color layers I want to get rid of, and make final prints on good quality paper (which will change the appearance somewhat, usually to the better....)